Music is supposed to be the language of peace and brotherhood, a force that can bring the world together in harmony. But is it any freer from politics as anything else in our lives? Just look at the 2008 Eurovision Song Contest. The musical competition has taken place since 1956,
The connection between contemporary pop music and politics tends to be quite prickly. There’s a lot of power available any time a pol can make a link to popular culture. Witness Walter Mondale’s use of the phrase “Where’s the beef?” in 1984 or Hillary Clinton’s Sopranos video last year. But
Of course, our focus on authenticity in our popular culture is flawed. Gangsta rap and punk are supposed to be authentic, but bubble gum pop and teeny boppers are fake. There are music fans that don’t care, listening to whatever strikes their fancy, and I suppose you could charge that they are lacking in artistic values. But you could just as easily charge certain discriminating hipsters and intellectuals as being snobs.
There’s no denying that there’s a relationship between performers and audience, on and off-stage. Performers give us enjoyment, insight, entertainment, enlightenment. We give them financial rewards, adulation, the pleasures of someone who will listen. But what do they owe us and what is our responsibility to them?
Western culture seems to have had some sort of Christmastime festivities going back centuries. The Winter Solstice has long been a time for celebration. If you’re a farmer, by December, the agricultural cycle has ended. The working aspects of the farm have closed down. The beer and wine is ready for consumption. The weather becomes cool enough to slaughter animals, but it’s before the deep freeze of winter. It’s time to kick back and have a party.
There are many ways of examining the Writer’s Guild strike as it heads into its second month. You could examine some of the business issues – do the studios have any credibility in claiming that new media holds no profit for the foreseeable future? Or you could look at the