Music is supposed to be the language of peace and brotherhood, a force that can bring the world together in harmony. But is it any freer from politics as anything else in our lives?
Just look at the 2008 Eurovision Song Contest. The musical competition has taken place since 1956, produced under the auspices of the European Broadcasting Union (EBU). The event is broadcast in 43 countries; the residents of each country call in to vote for the entry of any country other than their own. The EBU is a global association of national broadcasters; it has nothing to do with the European Union, which is why there were entries from Israel and Russia.
As an American, I’d never seen the Eurovision contest before, but I had always had the impression that it only generated mediocre pop songs, light and insubstantial in nature. But on a recent trip to London, I ran across the live broadcast on my hotel TV and I was excited about getting a first-hand look.
Venerable British television personality Sir Terry Wogan narrated the official broadcast from Belgrade. I was surprised at the overall quality of the entries – not great, but no worse than your average run-of-the-mill pop. The musical numbers had a greater range than I had expected. Spain’s “Baila El Chiki Chiki” was a silly dance number with less substance than your average cell ringtone. Latvia’s number looked like pirates run amok. Finland’s entry was heavy metal. Turkey and Azerbaijan entered rock songs. Sebastian Tellier‘s entry for France was clearly inspired by the Beach Boys.
Tellier’s song, like most of the others, featured lyrics sung in English (Apparently this caused a stir with French conservatives). Almost the entire international broadcast took place in English.
I was a little surprised by the narration by play-by-play announcer Wogan, who has done the British broadcast for decades. There were moments of gentle irony and sardonicism, but also hints of real bitterness. He predicted that blocs of countries would all vote for each, such as the Baltic nations. He predicted that the Russians had it in the bag.
After the performance portion ended, the call-in voting began. Fifteen minutes later, the voting results started to trickle in, as each country announced their results in turn. In addition to a series of points from one to seven from the phone calls, each country could award 8, 10 & 12 points each to three deserving countries.
Russia started dominating early. Greece and Ukraine also pulled ahead. Former Soviet Republics all voted for Russia and each other. The Nordic countries (Finland, Sweden, Norway, etc.) all voted for each other. England came in dead last.
It took a long time for the votes to be reported. During this lengthy slog, Terry Wogan kept getting progressively more bitter. He expressed the notion that no one will support “us” – in other words, England – and it felt to me like he wasn’t just talking about the Eurovision Song Contest. Towards the end of the broadcast, he threatened to never do the show again.